1. The First Thirty Years

2. Beginnings

3. World War II

4. The Post-War G.I. Period

5. The '50s

6. The '60s

7. Sheil Gets a New Home

8. New Spaces, New Faces

9. The Vietnam War

10. Not Just for Students

11. Campus Club to Campus Parish

12. Patterns in Programming

13. Show Business

14. Social Service

15. Staffing and Budget

16. The Late '80s

17. Archbishop Bernard Sheil

18. Music Through the Years

19. Jubilee Highlights

20. Golden Jubilee Homily

21. Sheil Mothers Association

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The History of the Sheil Catholic Center

The First 50 Years

When the Sheil Catholic Center celebrated its Golden Jubilee in 1989, a group of talented and dedicated associates researched and wrote a history of the first 50 years. We are reprinting that history here.

Show Business 

"Coffeehouses," a familiar form of campus dormitory entertainment in the '70s, became a feature at Sheil, too, during that decade. The coffee and refreshments cum talent show, mostly musical, were served up about Saturday nights each month. Over time, they dwindled in frequency to once a quarter and most recently to once a year, but the guitars strum on.

There have been more ambitious ventures into show business as well. In 1972 a student group of performers called "The Gathering" presented Promenade and "I Do! I Do!" at Sheil Center. In 1973 Mark McCue directed a production in the Galvin Chapel of T.S. Eliot's Murder in the Cathedral and, in the following year, of early 20th-Century Italian drama, Benelli's The Love of Three Kings.

In 1981 Father Fred Baumer led a group in the dramatic production of the free-verse retellings of Gospel stories published by theologian Father John Shea as part of his 1980 book, Stories of Faith. In the group were recent Northwestern graduates Steve Lanza and Stephanie Hogue, English professor Douglas Cole and dancer Patricia Schuckert, who together worked out the script and scenario; and Father John Krump, who selected and taped the music. The result was an ensemble performance that three later was repeated at Sheil and other places by students of Father Baumer, who was then teaching at Chicago's Catholic Theological Union.

In 1983 Sheil became a center of "religious musicals" when School of Speech student Alyse Stanko directed a production of Joseph & the Amazing Technicolor Dreamcoat. Its success led her to found "Dreamcoat Productions," a group that then presented Godspell in 1984. The following year Jim Colofranson, who sang as a freshman in Godspell, directed Two by Two.

The most recent theatrical productions at Sheil were Mass Appeal and The Fantasticks in 1986 and ( closing a circle starting back in 1972) a revival of "I Do! I Do!" in 1987.


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